Homosexuality was decriminalized in 1972 and civil partnerships have been legal since 1993. The country boasts some of the most progressive LGBTQ standards in the world. "In 2022, Norway marks 50 years of being able to love whomever we want," the commercial reads as it comes to a close. In the final clip, the two share a loving kiss. The following year, Santa taps Posten for some additional help delivering holiday goodies so he can spend some quality time with Harry. So, Harry takes it upon himself to make his feelings known: He sends a heartfelt letter (via Posten) to Santa that reads "All I want for Christmas is you." The commercial continues to track the progression of their budding relationship over the years, the two meet each Christmas Eve to share stories and laughs, with Harry carefully picking out his outfit before each reunion.īut Santa's holiday duties mean the duo only get to see each other once a year, and for a brief time, at that. They share a forlorn glance before the man in the red suit escapes up the chimney.
The short film begins with Harry catching a glimpse of Santa delivering presents to his home. The commercial, posted to Youtube and titled "When Harry Met Santa," is a riff on the 1987 rom-com "When Harry Met Sally," was created to celebrate the 50th anniversary of homosexuality being decriminalized in Norway. Going Postal DVD (2010): .uk: Richard Coyle, David Suchet, Claire Foy, Charles Dance, Andrew Sachs, Tamsin Greig, Timothy West, Steve Pemberton, Ian Bonar, Paul Barber, John Henshaw, Don Warrington, Jon Jones.
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In a nearly 4-minute advertisement produced by Posten Norge, Santa Claus finds romance with Harry, a Norwegian man who waits up each Christmas Eve to spend stolen moments with jolly old Saint Nick. Buy Going Postal DVD (2010) from Amazons DVD & Blu-ray TV Store. Norway's 375-year-old postal service is celebrating the holidays and a significant LGBTQ anniversary in the country with a festive new commercial focused on inclusivity. Posten Norge's "When Harry Met Santa" has already acquired more than 1 million views on YouTube. The commercial celebrates the 50th anniversary of homosexuality being decriminalized in the country. Screenshot/Posten NorgeĪ new holiday advertisement from Norway's 375-year-old postal service puts a new spin on Santa. It was more like by that point in the film I needed something-anything-to think about.A screenshot from the Posten Norge 2021 holiday commercial. If a defendant breaks the law, and admits he did it, and it is generally agreed that he did it, then he cannot be found “not guilty.” He can be given a light sentence, a tap on the wrist, or fined $1.īut the law in non-Kafkaesque nations cannot simply ignore the facts. I commend “Dear God” to them, as an example of the same fallacy committed by “A Time to Kill.” This is the verdict brought in according to the requirements of the plot, rather than the rules of the law. There is a new book out titled “Reel Justice,” which examines many famous movies on the basis of how accurate their legal scenes are.
Everything eventually ends up in court, where Kinnear and his angelic accomplices are charged with “answering God's mail without authorization.” The courtroom scene, I am coming to believe, is the last refuge of the screenwriter who needs an ending and does not have one. “The Postal Miracles” become so famous that Los Angeles TV stations interrupt their scheduled broadcasts for bulletins from the site of the latest good deed (uh, huh). The good deeds quickly become a media phenomenon. But the material lets him down with its relentlessly predictable developments. The onetime TV talk show host proved, in the remake of “ Sabrina,” that he is a sure-enough actor, and here again he has an easy, engaging quality. Greg Kinnear, it must be said, holds his own in the film. And he will enlist the aid of some of his co-workers, including Laurie Metcalf as a former lawyer, Roscoe Lee Browne as a worker on the verge of retirement, Tim Conway as a former carrier so morose over losing his route that he seems on the verge of going postal, and Hector Elizondo as the supervisor, a Russian immigrant with his own weird approach to things.ĭirector Garry Marshall, who usually makes sharper and smarter films, lays on schmaltz by the carload as Kinnear and his friends save a man from committing suicide, do a maid's own housework for her and give a harassed mother of twins her heart's desire: just one evening off. Kinnear eventually ends up working for the post office, where there's time to brief him on only a few of the rules (“Fragile” is postal for “bounce against walls”) before he's assigned to the dreaded Dead Letter Office, where demoralized clerks try to deal with mail addressed to Elvis, the Tooth Fairy and God.īy now we are slipping inexorably into the realm of cut-rate Capra, and can guess what's coming: Kinnear will read some of the letters, be moved by the plight of the writers, and try to change their lives a little.